Σοφία
Art and creations with over 6000 years of history.
Time?
Original artwork from the ∞6174 project
In this painting, for the first time in the history of civilization and since the origins of the Universe, a number that has been encrypted there is revealed.
It is the first visual manifestation of the number 6174, prior to its conscious revelation. It connects the Sumerian civilization, time through analog clocks, and the hands of the human being.
It is no coincidence. “The human form is a footprint of 6174. Time is its dance. And the numbers from 1 to 12, its eternal alphabet.”
What you see here is more than art: it is the point where geometry, consciousness, and quantum physics converge.
This work is the silent witness of a language that has always been there, waiting to be activated.
Who made this possible?
The Hands of Origin: 6174
One connects with the logic of the left hemisphere: ordered numbers, operations, the constant 6174 emerging as the universal center of gravity.
The other, with the memory of creation: each number marked on the ancestral skin of time, revealing that everything humanity has built was first traced by a hand.
Here, mathematics is not an invention: it is memory.
And 6174 is not a result: it is a message left through the Sumerian civilization.
“The hand is not just a tool: it is the archive of the universe.”
“From the first human to the last of this civilization, this number will always be encrypted in the hands.”
Unlocking Infinity
Unlike Jasper Johns’s “Numbers” paintings, which explore the repetition and visual symbolism of the digits 0 to 9, this work reveals a hidden discovery:
Before the Big Bang, before form, the decimal system was already there.
Not as a human invention, but as the silent structure of the Logos, waiting to be revealed.
In this work, the numbers from 0 to 9 reflect themselves as portals—what you see also hides.
Each digit is a key.
Each symmetry, a clue.
Because at the center of everything we see and do not see on this planet, are the numbers from 0 to 9.
Fragment of the Origin ∞6174
This piece is born from a numerical sequence so precise that it remains hidden in the shape of our hands, in the rotation of analog time, and in the symbol of infinity.
This jewel represents a geometry that predates the decimal system.
It is not just a pendant, but an encrypted record of the universe, a signature that has been hidden since before the Big Bang, when time did not yet exist.
Forged in 18-karat gold, its purity and durability reflect the permanence of the patterns it describes.
You wear around your neck the form that gave rise to time:
6, 1, 7, and 4: the key to entering the infinite.
12/24 – Whether time is real or not, who encrypted it there?
An encrypted number, split between the hours of day and night, unveils a hidden pattern: in the union of certain numbers, a geometric motif emerges—a symbol that has echoed across ancient cultures throughout the world.
This symbol silently connects the perception of time with the geometry of the universe.
Revelation 4:4
Revelation 4:10
Revelation 5:8
Revelation 5:14
Revelation 11:16
Revelation 19:4
Revelation 21:12–14
1 Chronicles
XYZ Coordinates
Positive or negative—does it depend on the observer?
A subtraction that encrypts four digits leads us to one of the most fundamental and powerful forms found in nature and the cosmos: the triangle.
Four digits transforming into four triangles, each reflecting balance, stability, and the intrinsic structure of reality.
Each triangle is not only a geometric pattern but also a symbolic code linking the quantitative with the spiritual...
Upcoming Works
153
A number, a verse, a triangle.
The first key to infinity.
It was always there: it only required separating the other keys of the universum 3, 6 and 9.
1960
In the 1960s, the numerical layout standardized by AT&T established a form of interaction that still persists.
The decimal system adopted a structure that would span generations.
The pattern was not created.
6174, it was always there.
Infinite Universum 6174 / Transdimensional Geometry
…These four triangles are arranged within a symbol that represents infinity—a value without limits, eternity, the absolute.
It is the embodiment of eternal time, endless space, and the continuity of life and consciousness.
Then arises the intriguing question:
What happens with triangles 648 and 153?
What secrets do they conceal within this transdimensional geometry—and how are they connected to time, perception, and the universal flow of energy?
μεταμόρφωσις
The Revelation of the Primordial Triangle
Without veils, in its most ancient and universal manifestation, it is the living archetype of the Three that unfolds in nature.
At the exact centre of every one of them pulses the Bindu, the germ of all manifestation; the dark centre is the eye of the original chaos that already contains every future form – forms that already are.
Whoever still fails to see the Triangle in every flower simply wears veils over the eyes. It is enough to remove them.
And in every unfolding, Time: that invisible god we believe we master with mechanisms of sand, metal and crystal forged by the finite hands of man.
A dance, a metamorphosis without beginning or end.
“The Bridge of Being”
"Light does not exist either outside or inside; that is, it does not exist as a physical phenomenon in itself, as light. In space, what exists are a series of electromagnetic waves, photonic changes. Brain activity as light also does not exist. As light, in this perceptual quality, it is consciousness. In the same way, sound: that is, sound, at a spatial level, physically does not exist. In other words, there is nothing in the physical universe similar to sound; what we call sound is a quality of consciousness."
Grinberg, J. (1990). Ser o no ser – El sol de medianoche [Television program with Tony Karam]. TVE. Quote retrieved from Vimeo.
String Theory - Part 1
26 D
This work interprets bosonic string theory through a visual structure where the infinity symbol acts as a vibrational field. The 26 dimensions manifest in numerical combinations, symmetries, and trajectories that evoke the modes of a moving string. The result is a bridge between mathematics, physics, and art: an aesthetic cartography of the universe in vibration.
